The third segment of the film centers on a mysterious homeless man on the street who witnesses the crash. It directly involves two of them: a young man who enters the world of dogfighting to earn enough to elope with his sister-in-law, and a supermodel whose life is changed for the worse after she is fatally injured. It makes for an important exploration of a deeply patriarchal society that is only beginning to heal the collective traumas of a complicated war, and how its violence continues to ripple through time and into domestic life.Īlejandro González Iñárritu’s cleverly layered directorial feature film debut follows three persons whose lives are connected by a car crash in Mexico City. Kastrati’s family drama has elements of horror, but the real terror here is psychological. But slowly, she starts to unravel-and with her undoing comes the reveal of the war that traumatized her. Lume appears largely apathetic, at least outwardly. The former suggests Lume may be cursed, while the latter insists she is possessed by a supernatural creature called a jinn.

When conventional medical advice does not yield a viable pregnancy, Lume is brought to a witch doctor, and later a televangelist.

Part of Lume’s routine also includes visits to the doctor, accompanied by her mother-in-law and husband, who pressure her to conceive.

Antoneta Kastrati’s debut feature film Zana follows Lume, who appears guarded and subdued as she goes about her daily routine: milking the cows, harvesting crops and flowers, hanging laundry out to dry.

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